My group of third grade Mini Masters looked at the still life work of Paul Cezanne and Henri Matisse. From Cezanne, I needed them to understand his love for gentle and shadow, tone and shade. And from Matisse, I wished them to take away his love for shade and sample. (In fact, every artist is clearly worthy of a singular highlight. And this is just simplifying features of their work, however I get pleasure from marrying the 2 artists' types together - particularly given my short, 5 week course.)
My students began by observing green, yellow, and crimson apples, and created contour drawings of them in numerous angles. They added colour to their coloured development paper work using chalk pastels and charcoal shadows. They created a plate or basket in the same method.
For the Matisse background portion, I supplied a variety of brightly coloured patterned fabric as inspiration and inspired them to turn out to be textile designers utilizing oil pastels and watercolor. "This isn't the time to be matchie matchie, poo poo". They'd by no means heard this time period, and have been after all cracking up. However looking at Matisse's vibrant work, they saw it was fueled by quite a lot of patterns and colours.
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